What people are saying about Ron Morin's plays

"You (Mr. Morin) have the soul of a playwright."
Nan Webber, producer and director of Theatre in the Pines

"Powerful!"
Roderick Anscombe, novelist with St. Martin's Press

"I thoroughly enjoyed reading your play; I'd like to produce it."
James Jennings, American Theatre of Actors, NYC

"A wonderfully off-beat play, Pinteresque in some ways, expressionist in others; yet still grounded in the powerful familial and social reality. As I see it, it's a play about survival, about love as a means to survival, about how love, natural instinct and human creativity overcome greed, bad faith and human nastiness. If I were to characterize Madee, I would call her elemental."
Peter Anastas, novelist, essayist, short story writer, ethnographer

"I found the work gripping, wonderfully constructed and written. The play's power stayed with me, angered me, hurt me, and kept me thinking. That's a lot for a work of art."
Susan Erony, Gloucester artist whose artwork on the Holocaust, history, and the human condition exhibits internationally

"Smart and powerful, a play about ideas and ideals"
Tim Diering, after directing the staged reading at the New Works Festival at The Firehouse, Newburyport, MA

"Passionately and provocatively addresses the complex issues that lie at the core of all genuine tragedy, in literature and life."
Skye Alexander, author of numerous fiction and nonfiction books

"... has some wonderful writing."
Eric Engel, Artistic Director of Gloucester Stage Company

"What I liked about the play was the ethical dilemma you confront the audience with, yet it's done in a very simple, direct way, in broad brush strokes, so you leave the complexity of the dilemma in the raw."
James Allen